inklusive Mitspiel-Musikbearbeitet von Michael Loos und Horst Rapp Lieder zur Weihnachtszeit, als Solo, im Duett oder im Trio spielbarfür verschiedene Blasinstrumente, die miteinander spielen können Alle Jahre wieder möchte dieses Liederbuch den Schüler zum Spielen von Weihnachtsliedern anregen. Im Schwierigkeitsgrad sehr leicht, für den Anfänger, der gerade die ersten Töne spielt, bis mittelschwer, für den fortgeschrittenen Schüler, wurden die bekanntesten deutschen und ausländischen Weihnachtslieder bearbeitet und so geordnet, dass sie im Schwierigkeitsgrad stufenweise voranschreiten. Das Repertoire kann auf diese Weise jährlich erweitert werden. Die Melodie befindet sich immer in der ersten Stimme, so dass diese auch allein vorgetragen werden kann. Alle Lieder sind zweistimmig gesetzt, insgesamt 46. Außerdem wurden 12 der Weihnachtslieder in einem dreistimmigen Satz hinzugefügt. Die Weihnachtsduette und -trios sind so bearbeitet, dass auch mit den anderen Instrumenten der Serie Fröhliche Weihnacht mit ... zusammen gespielt werden kann. Die Mitspiel-Musik gibt es als kostenlosen Download. Es erklingen Begleitarrangements in unterschiedlichen Stilen wie Barock, Klassik, Romantik und Pop, instrumentiert in abwechslungsreichen Besetzungen vom Streichquartett, der Bläsergruppe bis zum Sinfonieorchester

If you've been playing sax for a little while, you are probably eager to learn some familiar songs. This book includes a wide variety of favorite songs, from pop hits and movie themes to classical melodies and folk songs, many of which originally featured sax! Songs include: All of Me Baker Street Circle of Life Deacon Blues Fly Me to the Moon (In Other Words) The Godfather (Love Theme) Hallelujah In the Mood Just the Two of Us Maneater The Pink Panther Songbird Tequila Yakety Sax and more.

Many people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there, as well as Joseph "King" Oliver, the Dodds Brothers, Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a "child of the Crescent City" as is Harry Connick and Wynton Marsalis. The whole Marsalis clan was raised there, and are all acknowledged jazz masters, so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times, veterans all of many street parades and steamboat gigs, and asked them to put together a typical program of New Orleans Classics. Under the direction of Tim Laughlin, clarinetist supreme, and led by Connie Jones, Jr., one of the great hornmen of this city which boasts so many great players, they put together an album of must-hear, must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band on your own instrument, be it clarinet, trumpet, trombone, tenor, piano, bass or drums as they swing through the French Quarter of New Orleans. Includes newly engraved solo charts and recordings of complete versions of each tune, plus a recording of the accompaniments minus the soloist. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, change keys, and pan left or right.

One of the world's most popular Jazz etude books; popular because the etudes are hip and fun to play. Very popular among teachers! Designed for sax but suitable for all instruments. This Volume contains 12 easy level exercises and 10 etudes. Includes a play-along CD with a professional musician playing the etudes. Each etude is recorded in 3 keys (to facilitate Eb, Bb, and C instruments). The Eb track includes an Alto Saxophonist playing the etudes. The Bb track includes a Tenor Sax soloist and the C track includes a Jazz Guitarist. All are accompanied by a nice piano, bass, and drums rhythm section. Each track is stereo seperated (solo instrument, piano, bass, drums on one track - piano, bass and drums on the other track) so that the soloist can be eliminated and the student can play along with piano bass and drums.